Citational Gratitude — Fer González Morales

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This is a page in constant expansion composed of all the references that have, in one way or another, help me dance my way through this research. I always found challenging —although exciting— the process of discovering new bibliography; often I went to libraries to take pictures of bibliographies in books I could not afford to buy and search for ways to access the texts that informed them. I understand that it was precisely this active urgency in researching my own theoretical companions that allowed me to arrive at such wonderful texts. But I also recognize how important it might be to have easy access to them, with this in mind, here is —as much as possible— my extended bibliography.
If you wish to help me extend my citational gratitude contact me

BOOKS

Adler, J., 2002. Offering From The Conscious Body. Rochester, VT: Inner Traditions.
Banes, S. and Lepecki, A., 2012. The Senses In Performance. Hoboken: Taylor and Francis.
Battista, S., 2018. Posthuman Spiritualities In Contemporary Performance: Politics, Ecologies And Perceptions. 1st ed. Liverpool: Palgrave Macmillan.
Bardet, M. and Ires, P., 2012. Pensar Con Mover. Caseros, Argentina: Editorial Cactus.
Bennett, J., 2010. Vibrant Matter: A Political Ecology Of Things. 1st ed. London: Duke University Press.
Benjamin, W. and Eiland, H., 2011. Early Writings, 1910-1917. Cambridge, Mass.: Belknap Press of Harvard University Press.
Butler, J., 1990. Gender Trouble: Feminism And The Subversion Of Identity. 2nd ed. New York: Routledge Classics.
Braidotti, R., 1994. Nomadic Subjects: Embodiment And Sexual Difference In Contemporary Feminist Theory. 1st ed. New York: Columbia University Press.
Braidotti, R. and Hlavajova, M., 2018. Posthuman Glossary. London: Bloomsbury Publishing Plc.
Braidotti, R., 2006. Transpositions: On Nomadic Ethics. 1st ed. Cambridge: Polity Press.
Butterworth, J. and Wildschut, E., 2009. Contemporary Choreography: A Critical Reader. 1st ed. New York: Taylor and Francis.
Burt, R., 2017. Ungoverning Dance: Contemporary European Theatre Dance And The Commons. 1st ed. Oxford: Oxford University Press.
Cixous, H., Sellers, S. and Derrida, J., 2004. The Hélène Cixous Reader. London: Routledge.
Cohen, C., 2010. Democracy Remixed - Black Youth And The Future Of American Politics. New York: Oxford University Press.
Coleman, R. and Ringrose, J., 2013. Deleuze And Research Methodologies. Edinburgh: Edinburgh University Press.
Cvejic, B., 2017. Choreographing Problems. Palgrave Macmillan.
Cotten, T., 2012. Transgender Migrations: The Bodies, Borders, and politics of transitions. New York: Routledge.
Durrant, S. and Lord, C., 2007. Essays In Migratory Aesthetics. Amsterdam: Rodopi.
Eisenstein, C., 2013. The More Beautiful World Our Hearts Know Is Possible. 1st ed. Berkeley: North Atlantic Books.
Espinosa Miñoso, Y., Gómez Correal, D. and Ochoa Muñoz, K., 2014. Tejiendo De Otro Modo: Feminismo, Epistemologia Y Apuestas Decoloniales En Abya Yala. 1st ed. Cauca: Universidad del Cauca.
Frank, S., 2008. Migration And Literature: Gunter Grass, Milan Kundera, And Jan Kjæestad. 1st ed. New York: Palgrave Macmillan.
Glissant, É. and Wing, B., 2005. Poetics Of Relation. Ann Arbor: Univ. of Michigan Press.
Gómez-Peña, G. and Sifuentes, R., 2011. Exercises For Rebel Artists. London: Routledge.
Gómez-Peña, G. and Sifuentes, R., 2011. Radical Performance Pedagogy. New York: Routledge.
Gomez-Peña, G. and Peña, E., 2005. Ethno-Techno: Writing On Performance, Activism, And Pedagogy. 1st ed. New York: Routledge.
Halprin, A. and Kaplan, R., 2015. Moving Toward Life. Middletown: Wesleyan University Press.
Halberstam, J. and Livingston, I., 1995. Posthuman Bodies. 1st ed. Bloomington: Indiana University Press.
Harney, S. and Moten, F., 2013. The Undercommons. Wivenhoe: Minor Compositions.
Hayles, N., 1999. How We Became Posthuman: Virtual Bodies In Cybernetics. Literature And Informatics. 1st ed. Chicago, Ill.: University of Chicago Press.
Holland, E., 2013. Deleuze And Guattari's A Thousand Plateaus. 1st ed. New York: Bloomsbury.
Joy, J., 2014. The Choreographic. 1st ed. Cambridge: MIT Press.
LaBelle, B., 2014. Lexicon Of The Mouth. New York [etc.]: Bloomsbury.
Latour, B. and Weibel, P., 2005. Making Things Public. Cambridge, Mass.: MIT Press.
Langer, S., 1979. Feeling And Form. London: Routledge & Kegan Paul Ltd.
Lepecki, A., 2016. Singularities: Dance In The Age Of Performance. 1st ed. Routledge.
Manning, E. and Massumi, B., 2016. Thought In The Act: The Minor Gesture. London: Duke University Press.
Manning, E., 2009. Politics Of Touch. Brantford, Ont.: W. Ross MacDonald School Resource Services Library.
Manning, E., 2012. Relationscapes: Movement, Art, Philosophy. Cambridge, Mass.: MIT Press.
Manning, E. and Massumi, B., 2014. Thought In The Act: Passages In The Ecology Of Experience. 1st ed. London: University of Minnesota Press.
More, T., Marx, K., Engels, F., Morris, W., Orwell, G., Nieuwenhuys, C., Bloch, E., Adorno, T., Debord, G., Foucault, M., Hirschhorn, T., Verwoert, J., Beuys, J., Denes, A., Buchloh, B., Kuspit, D., Gormley, A., Noble, R., Kabakov, I., Bourriaud, N., Gillick, L., Nesbit, M., Obrist, H., Tiravanija, R., Huyghe, P., Parreno, P., Ruf, B., Deller, J., Kane, A., Millar, J., Graham, D., McCarthy, P., Rosenthal, S. and Chan, P., 2009. Utopia. London: Whitechapel Gallery.
Orchard, T., 2017. Remembering The Body: Ethical Issues In Body Mapping Research. 1st ed. London: Springer.
Romele, A. and Terrone, E., 2018. Towards A Philosophy Of Digital Media. 1st ed. Lillie, Porto, Torino: PALGRAVE MACMILLAN.
Shusterman, R., 2008. Body Consciousness: A Philosophy Of Mindfulness And Somaesthetics. 1st ed. Cambridge: Cambridge University Press.
Shaviro, S., 2014. The Universe Of Things. Minneapolis: University of Minnesota Press.
Singh, J., n.d. Unthinking Mastery: Dehumanism And Decolonial Entanglements. 2nd ed. Durham and London: Duke University Press.
Vannini, P., 2015. Non-Representational Methodologies: Re-Envisioning Research. 1st ed. New York: Routledge.
Vannini, P., Waskul, D. and Gottschalk, S., 2012. (Contemporary Sociological Perspectives) The Senses In Self, Society And Culture: A Sociology Of The Senses. 1st ed. New York and London: Routledge.
Venuti, L., 2012. The Translation Studies Reader. London: Routledge.
Wittig, M. and Le Vay, D., 1975. [Le Corps Lesbien.] The Lesbian Body. Translated By David Le Vay. London: Owen.

Lectures

Cveijc, B., n.d. An Unfaithful Return To Poetics.
Goebbels, H., 2010. Aesthetics Of Absence: Questioning Basic Assumptions In Performing Arts.

Articles

Allsopp, R. and Lepecki, A., 2008. Editorial: On Choreography. Performance Research, 13(1), pp.1-6.
Allsopp, R., 2005. On Form/Yet to Come. Performance Research, 10(2), pp.1-4.
Akerly, J., n.d. Post-Humanism in Post-Modern Dance. 21st International Symposium of Electronic Art,.
Arteaga, A. and Langsdorf, H., n.d. Thinking Conditioning Through Practice. KASK.
Bardet, M., 2018. Saberes Gestuales: Epistemologias, esteticas y politicas de un <<cuerpo danzante>>. An International Journal of Theatrical and Practical Reason, (60), pp.13-28.
Eckersall, P., 2012. Locations of Dramaturgy. Performance Research, [online] 3(17). Available at: <https://www.tandfonline.com/doi/abs/10.1080/13528165.2012.696864> [Accessed 29 May 2020].
Grisold, T., Kaiser, A. and Hafner, J., 2017. Unlearning before creating new knowledge: A cognitive process. [online] Hawaii: International Conference on System Sciences. Available at: <https://core.ac.uk/download/pdf/77240027.pdf> [Accessed 25 April 2020].
Manchev, B., 2015. The New Arachne. Performance Research, 20(1), pp.18-26.
Vargas, M., n.d. Looking at Composition is like painting the Golden Gate Bridge: 86 Aspects of Composition. Contact Quarterly,.

Dissertations

Cowan, S., 2017. Choreographing Through And Expanded Corporeality. Doctor of Philosophy in Dance Studies. University of Auckland.
da Silva, J., 2016. Risk-Taking And Large-Group Dance (Improvisation). PhD Dance Studies. Utrecht University.
da Silva, J., 2010. O'donnell's 'Open-Form Composition' (OFC): A Possible Stance To Abridge The Divide Improvisation-Composition In Dance?. Master Theatre Studies. University of Utrecht.
d'Emilia, D., 2016. Des_Aprender Para Re_Conocer: Tejiendo Alianzas Politico-Afectivas Desde La Performance-Pedagogia. Master en Literatura Comparada y Estudios Culturales. Universidad Autonoma de Barcelona.
Ingvartsen, M., 2016. Expanded Choreography: Shifting The Agency Of Movement In The Artificial Nature Project And 69 Positions. 1st ed. Lund: Lund University.
Stark, W., 2018. Transcultural Performance Art, Political Intention, And The Aesthetic Projects Of Guillermo Gomez Peña, Coco Fusco, Violeta Luna, Roberto Sifuentes, And La Pocha Nostra. Doctor of Philosophy. University of Connecticut.
Rainer, L., 2017. On The Threshold Of Knowing: Lectures And Performances In Art And Academia. Doctor of Philosophy. University of Hamburg.
Unmüßig, J., 2018. Composition And Choreography: Critical Reflections On Perception, Body And Temporality. 1st ed. University of the Arts, Helsinki: 55 ACTA SCENICA.